• High quality one-piece magnesium alloy body
• Weather seal and frost resistance
• Logical design and intuitive operation
• Excellent electronic viewfinder with minimal lag (except continuous shooting)
• tilt display
• Good screen visibility even in bright light or direct sunlight
• Superior image quality
• Wide sensitivity range
• Best-in-class ISO performance, with low noise levels
• Improved de-mosaicing when shooting small and high-contrast subjects
• High shade accuracy
• Very good dynamic range in RAW files
• Film Simulation Mode
• Separate light and dark settings
• Very fast autofocus (although tracking focus is not at the level of top-end DSLRs)
• High burst shooting speed up to 8 fps
• Good buffer depth
• Very good kit lens
• Decent battery life (350 shots per charge)
• The built-in Wi-Fi module allows you to easily send photos to the Internet and has a good range for remote control
• Support for fast memory cards (UHS-II), high responsiveness of the camera; lightning fast playback.

Flaws:

• It's easy to accidentally hit the exposure compensation dial
• The buttons on the 4-way navipad are too small and slightly "recessed"
• Viewfinder lags significantly during continuous shooting
• The viewfinder eyecup is small and does not block out unwanted light well enough (although an optional eyecup is available)
• Continuous autofocus is not quite on par with the best DSLRs in terms of tracking accuracy
• Slightly muted default color
• Very limited dynamic range in JPEG with default settings
• In some cases, the color rendering is lower than that of its predecessor
• RAW files are not supported above ISO 6400
• Warm white balance indoors in Auto and Incandescent mode
• Saturation (Color) setting has little effect except for red
• Panorama function does not handle moving objects
• Interface for Wi-Fi remote control is not convenient and not logical
• The geotagging feature relies on the mobile phone and is not the most user-friendly.

Almost everything about the design of the X-T1 system camera suggests that this is a "high-quality photographic device." It doesn't look like a modern plastic camera. You will love holding it in your hands, you will want to take photos with it and just own it. But perhaps the biggest selling point for the Fuji X-T1 is its incredibly low latency viewfinder compared to most electronic viewfinders. You will feel in the same plane with the subject, as it should be with a high-quality camera.

But that doesn't mean the Fuji X-T1 is perfect. It's great for framing in single shots, but the viewfinder lags far behind in bursts at high speeds. It looks like it's showing a slideshow of the photos you just took, rather than showing the real thing. live picture. This is a bit confusing and makes framing difficult. Tracking autofocus does not respond quite as quickly and accurately as in high-end DSLRs. There are also a few quirks in the physical controls: it's too easy to hit the exposure compensation dial, and the tiny four-way joystick buttons are small and slightly recessed, making them hard to press with your thumb.

Nevertheless, communicating with this camera you will enjoy and really high-quality photos. And last but not least, the X-T1 is less bulky than a DSLR, so you're more likely to have it with you when you need to take the shot most.

The Fujifilm X-T1 system camera is waterproof and frost-resistant. But in order to shoot with it in the cold and in the rain, you will have to take care of the same protected lens. In July 2014, the first dust- and waterproof X-series lens (Fujinon XF 18-135 mm) appeared on the market, and the manufacturer plans to release several more protected lenses in the near future.

Many people buy Fujifilm's X-series mirrorless cameras for more than just nostalgia. The manufacturer has established itself very well in the system camera market with excellent cameras that have won numerous awards and been praised by top reviewers.

The Fujifilm X-T1 received a gold award from dpreview.com and TIPA Awards in 2014. This camera is equipped with a very wide arsenal of advanced features that puts it in an advantageous position compared to other DSLRs and mirrorless cameras in its price category.

The Fujifilm X-T1 offers features that will delight many photographers. Below we take a closer look at this camera and compare it with the X-E2 and Olympus OM-D E-M1.

Fujifilm X-T1

The X-T1 is the most expensive mirrorless camera in Fujifilm's X-series (excluding fixed-lens cameras like the X100S), costing about $300 more than the X-Pro 1. But the price tag is justified by the performance.

The Fujifilm X-T1 is built to the highest standards. The camera is distinguished by exceptional build quality, a magnesium alloy body, protection against moisture, dust and low temperatures down to -10 ° C. It adequately competes with the E-M1 and X-T1 models.

The X-T1 has a classic retro look and is equipped with a host of analog controls. Three dials are located on the top panel: for exposure compensation, for shutter speed and ISO sensitivity. There are six programmable function keys, a metering mode dial below the shutter speed dial, and exposure lock and autofocus (AE-L/AF-L) buttons.

Fujifilm X-T1 top view

Physical controls offer quick access to popular settings, even when the camera is off.

Of course, the X-T1 was made for serious photographers who recognize the usefulness of having a variety of buttons and dials for operational work with a camera, which is important for capturing a good shot.

The X-T1 is very compact. It's larger than the X-E1, but noticeably smaller and thinner than an entry-level DSLR like the Nikon D3300. The developers have provided good spacing in the layout of the controls, so the thumb rests comfortably, but the camera lacks grip, as on the E-M1. However, users can purchase Fujifilm's MHG-Xt (Large and Small) Vertical Battery Grip for the X-T1, which provides a comfortable grip and stabilizes shooting, duplicates camera controls, and has the same weather protection as the body. cameras.

On the back of the camera, you'll find a relatively very large (0.77x) and bright "multi-mode electronic viewfinder" with a display latency of 0.005 seconds (the fastest in the world according to the Fujifilm website). Its resolution is 2360k dots, uses an OLED panel and offers 100% coverage. The manufacturer has also redesigned the viewfinder user interface to improve shooting quality. Thus, you get an almost real-time display of the scene with gorgeous vibrant colors, which is especially valuable for advanced photographers.

At the heart of the X-T1 is a large 16-megapixel APS-C format X-Trans CMOS II sensor. This sensor uses Fujifilm's proven innovative color filters that improve image quality by reducing moiré and color aberrations. With it, the need for an optical low-pass filter is virtually eliminated, which allows the camera to capture images with increased detail.

The X-T1 also uses Lens Modulation Optimizer technology, which is applicable to every XF lens. Using data from the lens, sensor and image, the camera takes care of obtaining the highest image quality for a particular frame with specific lens and camera settings. In the end, you will end up with a frame that has less optical aberrations and retains more detail.

Other features include: 3-inch tilting 1040k-dot LCD, 8fps continuous shooting, remote shooting via dedicated smartphone app and X-T1 built-in Wi-Fi, Full HD 1080p60 video recording, AF speed 0.08 sec, maximum ISO 51200, EXR II processor (0.5 sec startup time, 0.5 sec shooting interval, 0.05 sec shutter delay), single shooting function (timer with interval from 1 sec to 24 hours and up to 999 frames), film simulation function, auto bracketing for white balance, HDR, film simulation, AE and ISO.

Among the main advantages of this mirrorless camera, of course, is the possibility of using high-quality interchangeable lenses from Fujifilm. Although they are quite expensive, for example, the XF 18mm f/2.0 lens costs about $500, the 35mm f/1.4 sells for $600, the 55-200mm f/3.5-4.8 XF will cost about $700. Even 18 -55mm at f/2.8-4 costs around $700. This fact should be considered before buying a camera.

Many people like the X-T1's analog control, which allows you to change settings even when the camera isn't on. This way you can quickly prepare the camera for the next shot.

The X-T1 is quite expensive, but advanced photographers will appreciate its extra features. It looks like a decent replacement for a DSLR, though we haven't compared it to the flagship E-M1 yet.

Fujifilm X-E2

The Fujifilm X-E2 mirrorless camera was released on October 18, 2013. It's priced lower than the X-T1, but it's packed with a wide range of additional features that will satisfy the needs of many enthusiastic photographers. The X-E2, like the X-T1, received positive reviews from many reviewers who praised it highly.

Design X-E2 is made in a classic style. The body is made of plastic, the top and base plates are cast magnesium alloy, the finish is textured leatherette, the discs on the top panel are made of metal. All this gives the X-E2 a unique retro style that many photographers love.

Unlike the X-T1, which is full of buttons and dials, the X-E2 has fewer physical controls. However, there is a shutter speed dial and an exposure compensation dial, as well as four customizable function buttons.

The camera was equipped with an X-Trans CMOS II sensor and an EXR II processor. The sensor's unique color array eliminates the need for an anti-aliasing filter to achieve greater image detail and resolution. The X-E2 uses the same Lens Modulation Optimizer technology as the X-T1 for further optimization depending on the type of lens used and its settings.

On the back, you'll find a 2360K-dot OLED electronic viewfinder with a 0.005 second playback delay. It provides an excellent clear view of the scene without distortion. It makes it easier to frame both day and night. Unlike the X-T1, where the viewfinder is centrally located and has a large bulge at the top of the camera, the X-E2 has it on the left side and does not affect the size of the body. This viewfinder provides a wide 24-degree horizontal field of view and a flexible diopter adjustment range of -4m-1 to +2m-1.

The X-E2 also features a 0.08 second hybrid autofocus system. (as in X-T1) with phase detection pixels embedded in the matrix, which allows the camera to use both types of autofocus. The camera can even automatically switch between them depending on the scene being shot.

Video from Digital Camera World.

X-E2 start time is the same 0.5 sec., shooting interval 0.5 sec. and 0.05 sec shutter lag, same as the X-T1. Other features: 7 fps continuous shooting, Motion Panorama, in-camera RAW converter, Multiple Exposure mode, auto bracketing mode (for exposure, film simulation, HDR, ISO), wireless file transfer with built-in Wi-Fi ( you can send up to 30 photos at a time), auto geotagging of images by extracting location data from a smartphone with installed application Fujifilm Camera Application. The X-E2 also features a Film Simulation mode, Full HD 108p60/30 video recording, and a mic input for connecting an external stereo microphone to improve sound quality.

The Fujifilm X-E2 has been designed to appeal to a wide audience of enthusiastic photographers who appreciate and use the camera's advanced features and versatility. While some might be interested in a more affordable option in the form of the Fujifilm X-A1, which is much cheaper and doesn't have an optical viewfinder, it offers plenty of features and manual controls. It has high ISO performance and excellent image quality in its class. And the saved budget can be invested in an additional lens.

Olympus OM-D E-M1

OM-D E-M1 is Olympus' flagship mirrorless camera in the Micro 4:3 series (Micro Four Thirds System - MFT standard). It has been developed with a full range of advanced technologies to give photographers maximum creative freedom.

The Olympus E-5 is a professional digital SLR camera released back in September 2010. Two years earlier, this manufacturer launched its Micro Four Thirds system with Panasonic. Since then, Olympus has focused all its efforts and resources on improving the MFT series, shrinking the DSLR market in favor of mirrorless cameras. The absence of a reflective mirror allowed the production of a smaller and thinner camera body and smaller lenses, which contributed to the popularity of new products among amateur photographers.

Concentrating all its resources on the development of mirrorless interchangeable lens cameras, Olympus was tasked with creating a new versatile flagship model that could attract professional photographers.

Size comparison of Olympus E-5 and E-M1

If you compare the E-5 and E-M1, you will immediately understand what makes the MFT system so unique and visually appealing. Of course, some photographers prefer to shoot with a reliable, large and ergonomic digital camera. SLR camera. Especially for this category of users, it is possible to attach the HLD-7 battery grip to the E-M1.

Build quality

The OM-D E-M1 housing is made of magnesium alloy with protection against dust, splashes and low temperatures down to -10 ° C, plus an ultrasonic wave filter SSWF (Super Sonic Wave Filter) to protect the sensor from dust and other unwanted ingress. Thus, the camera is designed for reliable and safe outdoor photography.

You will be convinced of the reliability of the weather seal by watching the video below, immediately go to 5 minutes. 20 sec.:

As you can see, it is not afraid of heavy rain, but this camera is still not waterproof, so do not use the OM-D E-M1 underwater.

The developers of the Olympus OM-D E-M1 system camera made sure that all the necessary keys are included to provide quick access to frequently used camera settings, so there is no need to configure them through the LCD display.

Dual AF System

The E-M1 features a new 16-megapixel Live MOS sensor and a dual autofocus system ("Dual fast AF") that takes advantage of contrast and phase focusing when using Micro Four Thirds lenses. When you attach Four Thirds lenses via an adapter, the camera detects them automatically and only switches to phase detection autofocus.

The autofocus system in the E-M1 uses 81 contrast AF points and 37 phase AF points to ensure fast and accurate focusing, which is especially appreciated professional photographers. The OM-D E-M1 also features a variety of autofocus modes, including face detection and eye detection, Super Spot AF which is great for macro photography, and Small AF which reduces the size of the AF target for more precise focusing.

Advanced electronic viewfinder

On the back, you'll find a large 0.74x (35mm equiv.) electronic viewfinder with 2,360,000 dots and 0.029 sec time lag, which uses Olympus Adaptive Brightness technology for brighter, more realistic colors. The viewing experience is almost the same as with an optical viewfinder. Another one interesting feature this is the Color Creator feature that allows you to use the two dials on top of the camera to change the hue and saturation of an image. Moreover, changes can be made while viewing through the electronic viewfinder.

5-axis in-body image stabilization

This is one of the most useful features. The E-M1 comes with a proven 5-axis optical image stabilization built into the body. It copes with motion blur by compensating for 5-axis camera movement, including wobble, tilt, horizontal shift, vertical shift, and rotation around the optical axis. Stabilization is provided by 4 steps of compensation, which means that if you shoot a photo with a shutter speed of 1/250 sec. to get a sharp image, you can set the shutter speed for the same scene to 1/15 sec. and still get a sharp image.

The Olympus OM-D E-M1 has received many prestigious awards and very high marks from leading reviewers. It was created for serious photographers, but hardly for videographers. Highlights include a robust, durable body, high autofocus performance, attractive retro design, superb image quality, a large, bright viewfinder, and many built-in customization options.

As of this writing, the OM-D E-M1 is priced around $1,300 for the body alone, about the same price as the X-T1 (body only), so many photographers vacillate between the two models. On the one hand, we have Olympus' flagship in the Micro Four Thirds series and plenty of lenses to choose from. On the other hand, the X-T1 is a premium camera that comes with a unique Fujifilm sensor, a wide range of controls, attractive specifications, and compatibility with a fleet of high-quality X-mount lenses.

Comparison table with the characteristics of cameras Fujifilm X-T1, Fujifilm X-E2 and Olympus OM-D E-M1

ISO performance comparison

The analysis is based on the study of image samples from the resource.

When comparing the X-T1 and X-E2, the ISO performance is excellent. Surprisingly clean images at ISO 3200. However, the X-E2 produces slightly cleaner pictures overall. Thus, the difference is noticeable, but only when viewing the image at a scale of 100%, otherwise it is difficult to see it. This does not mean that the X-T1 has poor performance. Both cameras performed very well with a slight edge in favor of the X-E2.

When comparing the X-E2 and the OM-D E-M1, we see that the E-M1 produces more natural colors, but the pictures are slightly noisier when moving up to ISO 3200 and above. The OM-D E-M1, with its smaller Micro Four Thirds sensor, just can't keep up with the X-E2. However, you will be surprised how high the performance of this MFT sensor is.

The leader is the X-E2 with the best high ISO performance.

Examples of videos shot with three cameras

Video shot with Fujifilm X-T1 by DPReview:

Video shot with Fujifilm X-E2 by DPReview:

Video shot with Olympus OM-D E-M1 from imagingresource:

conclusions

It's not an easy choice. Every camera has strengths and weaknesses.

The X-T1 is mostly criticized for button size and placement, weak video mode with relatively lagging image quality. But this camera boasts superb build quality and a weather seal, excellent viewfinder, very good quality images and high ISO performance, fast and accurate autofocus, quiet operation, high speed continuous shooting, built-in Wi-Fi and compatibility with a wide range of high-quality lenses.

The differences between the X-E2 and X-T1 are quite obvious: no weather seal, worse build quality, fixed LCD, smaller viewfinder, slower burst speed and no UHS-II support. On the other hand, the X-E2 is smaller and lighter, has a pop-up flash, excellent ISO performance, and is cheaper. For many users, the X-E2 might be the perfect mirrorless camera at around $940 compared to $1300. for X-T1.

Differences between Olympus OM-D E-M1 and X-T1: The E-M1 features a higher resolution LCD touch screen, faster maximum shutter speed, faster burst speed, more AF points, built-in image stabilizer, more advanced movie recording features, faster flash sync speed and more interchangeable lenses.

On the downside, the E-M1 lags behind in the high ISO performance analysis, has a smaller and less flexible viewfinder, lacks UHS-II compatibility, and has a smaller sensor size. The cost of E-M1 and X-T1 is about the same.

Many users will be attracted to the design and build quality of the E-M1, as well as the useful 5-axis image stabilization. The fleet of optics is also much more diverse and you can find high-quality but inexpensive Micro Four Thirds lenses (X-series optics are exclusively in the expensive price range). While the X-T1 offers high quality images, large viewfinder, unique design and many built-in features.

If your budget is tight, the X-E2 is a great choice. Alternatively, you may want to consider purchasing a second lens. Consider purchasing the more expensive Fujifilm X-T1 if funds are available.

Fujifilm is famous for releasing stylish advanced compact cameras, such as X100S or X-E2, but all of them are completely defenseless against water drops, sand and other external troubles. Protected models from Fujifilm are available only in the class of budget compacts, as well as in the class of ultrazooms.

Fujifilm X-T1 official portrait

A quick look at the Fujifilm X-T1 specifications is enough to realize that a lot has been borrowed from the X-E2 mirrorless. At the same time, the novelty is positioned as a device of a higher class, it costs more and is able to compete even with Olympus OM-D E-M1. Last year we remember the release of budget mirrorless cameras, such as X-M1 and X-A1, and now it seems that the time has come for flagships. However, there is still no reliable information about the replacement of the X-Pro 1. Fujifilm X-T1 was not only the first weatherproof system camera in the family, but also the first camera with the appearance of a film SLR of the last century.

Specifications, equipment, accessories

Fujifilm does not have a wide selection of accessories for its cameras. It mainly offers various cases, optional grips and flashes. With the release of the X-T1, this kit has been expanded with the VG-XT1 portrait-capable battery grip, as well as another MGH-XT regular grip. This pair of accessories is only compatible with the Fujifilm X-T1. However, all subsequent cameras will certainly receive their support.

Fujifilm X-T1 Package Contents

The camera comes with a charger and an NP-W126 battery, a set of caps and plugs, a shoulder strap, an external flash, a USB cable, and a CD with software and a user manual. It's also worth noting that the Fujifilm X-T1 comes with an advanced 18-55mm F2.8-4.0 zoom lens. True, this lens is not weatherproof - this should be remembered first of all.

Design and ergonomics

It is difficult to unequivocally determine what exactly the Fujifilm X-T1 looks like. Most likely, this is a 1970 Fujica ST701 camera. However, one can also see similarities with recent Olympus cameras. For the first time, Fujifilm mirrorless has a more pronounced grip, a pseudo-pentaprism with a viewfinder unit, and an optional battery grip. In general, everything is like a classic DSLR-like camera. Cameras in this form factor have long been in the collection of Panasonic, Olympus and Samsung. Durable magnesium alloy acts as the main material of the case, and its protection against moisture and dust is provided by gaskets at 80 points. The robust housing also guarantees stable operation of the camera in ten-degree frost.

Fujifilm X-T1 paired with fast optics

The front panel, in addition to the ergonomic ledge, contains a number of important controls. At the top of the handle is the front scroller. Next to it is an autofocus backlight LED and one of six programmable keys. The mount is equipped with a latch, and on the right side of the panel you can see a sync contact plug for external flashes and a focus mode switch lever, already familiar to us from previous Fujifilm mirrorless cameras. The entire front panel, including the handle, is covered with a textured synthetic material that is pleasant to the touch. The handle itself is not particularly ergonomic, but in any case it is better than nothing. In addition, there is an optional grip and even a weighty battery grip on sale.

It should be noted that the scroller is not convex enough - the contact area with the finger is small. Therefore, when scrolling, you literally have to iron the rubber of the case. The same drawback was found in the rear scroller, but we will talk about it below.

Fujifilm X-T1 without lens

The top panel is literally cluttered with large selectors and buttons. None of Fujifilm's mirrorless cameras could boast such an abundance. The ISO setting dial is located on the left side, and the drive mode switch is built in one floor below. On the left side of the viewfinder block, a diopter correction wheel is planted, and on its top is a standard “hot shoe”. On the right side, there is a shutter speed dial similar to the left one with a metering type switch. On the right edge of the panel sits the exposure compensation dial. The shutter button is combined with the camera power lever, and to the right of it, the video recording start button is recessed into the body. Another small button next to the exposure compensation dial is responsible for activating Wi-Fi.

All selector discs are made of aluminum, and shutter speed and ISO discs are equipped with position locks. This is generally one of the most controversial elements of ergonomics. Fixing the position is useful in a number of cases, but in the end it is more difficult to control such a scroller. This inconvenience will manifest itself especially clearly when shooting in shutter priority mode. In our opinion, the best thing to do is to make the scrollers tight enough to avoid accidental shifts.

On the top panel, you can notice the absence of a dedicated shooting mode switch. In top-end Fujifilm cameras, the shooting mode is changed by setting the aperture or shutter speed to “A” mode. On the right slope of the pseudo-pentaprism is the screen / viewfinder switch button. It is possible to completely turn off the display, and turn on the viewfinder only when the proximity sensor is triggered. This will significantly save battery power, especially since the main shooting parameters can be changed by mechanics.

Fujifilm X-T1 Top Panel

On the rear panel, the first thing that catches your eye is a large viewfinder with an impressive rubber eyecup. Fujifilm claims the X-T1's viewfinder is the largest viewfinder of any mirrorless camera. According to subjective feelings, its area corresponds to the size of viewfinders in top-end full-frame cameras like Nikon D800 / D800E. To the left of it are buttons for entering playback mode and deleting images. On the right is the exposure lock button, rear control wheel, and a separate autofocus lock button. The protrusion slightly interferes with the work with the scroller, as it slightly protrudes beyond the body. This, as we have already said, forces you to stroke the case with your fingers and apply more effort to scroll. A trifle, but we hope that the company will take this moment into account when developing the next cameras.

To the right of the display are the Focus Assist, Q and Disp/Back buttons. The first one launches various tools for manual focus assistance, such as focus peaking. The second is responsible for calling the quick menu, and the third switches the types of information displayed on the display. The button for entering and entering the main menu of the camera is surrounded by four navigation keys without any signatures. The extreme right part of the panel is rubberized and has a noticeable protrusion at the place where the thumb fits.

The left side is occupied by a door that hides the HDMI and USB connectors, as well as a 2.5mm jack for connecting an external microphone or remote control device. The opposite side includes a slot for a memory card. By the way, Fujifilm X-T1 was the first digital camera, which supports the latest UHS-II high-speed SD cards.

Memory slot on the right side of the Fujifilm X-T1

Compartment for external connections on the left side of the Fujifilm X-T1

On the bottom panel in the area of ​​the handle is the battery compartment, and next to it is a tripod thread. For mounting the battery handle there is a special connector closed with a rubber plug.

Fujifilm X-T1 bottom panel

The camera is available exclusively in black, at least for now. The dimensions of the camera are 129x90x47 mm and the weight is 440 grams. The nearest competitor, Olympus OM-D E-M1, has approximately the same parameters.

Display, viewfinder, interface

Back of the Fujifilm X-T1

Note that so far none of Fujifilm's high-end cameras have had a tilting screen. Only budget mirrorless cameras were equipped with such displays.

The viewfinder remained the same as that of the Fujifilm X-E2, that is, fully electronic and even retained a resolution of 2.36 million dots and 100 percent frame coverage. Most likely, Fujifilm saved their hybrid viewfinder for a higher-ranking model, which has not yet been heard from. In the menu, you can turn off both the viewfinder and the display at the same time, which is useful in astrophotography. The viewfinder is equipped with a diopter adjustment wheel and a proximity sensor. This is one of the best electronic viewfinders we have come across. In terms of image quality, it outperforms its analogue in the Olympus OM-D E-M1 and subjectively looks better than in the Sony A7/A7R. In addition, the X-T1's viewfinder has a record-breaking 0.77x magnification, as well as fairly low image lag.

The menu hasn't changed much. Were only added new items for programming keys. As already noted, six mechanical buttons are reprogrammable.

Functionality

The Fujifilm X-T1 borrows the 16-megapixel X-Trans CMOS II sensor from the Fujifilm X-E2 unchanged. The same sensor is installed in the Fujifilm X100S. Its main feature, we recall, is not only the absence of an AA filter, but also the support for hybrid autofocus thanks to phase sensors in the structure of the matrix itself. In addition, RAW files are recorded at 14-bit resolution for better halftone reproduction.

The standard ISO range is ISO 200-6400 but can be extended up to ISO 100-51200. The camera allows you to set the minimum shutter speed when working in Auto ISO mode, which is 1/500 of a second. The exposure compensation dial allows you to make adjustments ranging from -3 to +3 EV. And when shooting video, the ISO limit is 6400.

X-Trans CMOS sensor and EXR II processor

There are no changes in comparison with the X-E2 in the processor part either. The already familiar EXR II chip is installed here. The burst rate is 8 fps with active autofocus, and the buffer depth reaches 47 frames in JPEG format or 23 in RAW format when using UHS-II class memory cards. Shooting with continuous focus and active live view reduces the rate of fire to three frames per second, and the depth of the buffer in this case is limited by the volume of the memory card. The shutter lag is only five hundredths of a second, and it takes about half a second to turn the camera on and off.

One of important features EXR II processor is the Lens Modulation Optimizer algorithm, which eliminates aberrations and diffraction effects of optics. This is how it is implemented - the camera contains data for each compatible lens in memory and programmatically compensates for distortion taking into account such data. This function, if desired, can be turned off, and all the resulting distortions can be edited later manually in the RAW converter.

A focal-type shutter with vertical shutters is capable of operating at shutter speeds up to 1/4000 s, as well as operating in manual shutter speed (Bulb) mode. Strictly speaking, 1/4000 of a second is enough. long exposure when shooting wide open on a bright sunny day, and the camera does not have a built-in ND filter to reduce exposure. The shutter itself seemed noisy to us, and the electronic shutter, as in Lumix GM1, is not provided here. The shutter is synchronized with the flash at shutter speeds no shorter than 1/180 s, which is a rather modest value today. The Olympus OM-D E-M1 can sync at shutter speeds up to 1/320s.

It is impossible not to note the Fujifilm focusing system, which made a leap forward in just a year. Until recently, Fujifilm cameras were associated with extremely slow autofocus, a modest set of video modes and the lack of Wi-Fi. But with the release of the X-E2 and the budget X-M1, the situation improved dramatically. The Fujifilm X-T1 has a 49-point hybrid focus system with object tracking. Thanks to high-speed autofocus, it was possible to achieve the above rate of fire. In addition, this is one of the few cameras that offers three tools at once to help with manual focusing - focus peaking, zooming in on a fragment of a frame, and a Digital Split Image tool (peeped, apparently, from rangefinder film cameras).

It is worth adding that the focusing speed is highly dependent on which lens is installed on the camera. With the complete "glass" 18-55 mm, the camera focuses very quickly and practically does not make mistakes. And when using a 35mm F1.4 lens, focusing becomes much slower. The reward for such inconvenience is excellent picture quality. This is our favorite Fujifilm camera lens, no kidding.

The Fujifilm X-T1 does not have a built-in flash for its size, but it is still included. Its guide number is 8m at ISO 100. The included flash mounts in a standard hot shoe, and there is a sync pin on the front of the camera for connecting external strobes.

For Fujifilm mirrorless cameras, the presence of in-camera RAW processing has already become the standard, from which the X-T1 has not departed. Also included are features such as panorama shooting (2160x9600), a set of ten film simulation effects, eight creative filters, ISO bracketing, white balance, dynamic range and film simulation effects, multiple exposure, and interval shooting (with burst limitation, no more than 999 frames).

As already mentioned, Fujifilm X-T1 supports Wi-Fi thanks to the built-in module. Using a smartphone or tablet, you can control the shooting process, receive captured images, upload data to social media and even assign geotags. The set of wireless functions here is far from the richest, but all this is implemented intuitively and simply. There are two camera apps for Android and iOS devices - Fujifilm Camera App and Fujifilm Camera Remote. The latter allows you to use your smartphone as a remote viewfinder, change settings, focus and even record video. Basically, the Fujifilm Camera Remote includes all the features of the older Fujifilm Camera App. By the way, Fujifilm X-T1 was the first camera to support remote shooting functions.

And now we come to the most delicate moment. Namely - a park of compatible optics. The X-T1 was Fujifilm’s first weatherproof mirrorless camera, but the company simply didn’t have time to release at least a couple of corresponding lenses. Recall that Nikon 1 AW1 went on sale simultaneously with two sealed "glasses". All that remains for Fujifilm is to publish their plans for the release of optics for the next year or two. Protected lenses will be marked WR and in 2014 there will be three such models. This trio looks like this: 18-135mm F3.5-5.6 R OIS WR, 16-55mm F2.8 R OIS WR and 50-140mm F2.8 R OIS WR. The first zoom lens will be released in June this year. But, of course, the camera is fully compatible with ordinary, unprotected lenses, among which there are very high-quality specimens.

Test shots, videos, battery life

Since we have already dealt with the X-Trans CMOS II sensor, the expectations regarding the noise level were quite high. But despite the fact that the sensor here is the same as in the X-E2, we still did a test shooting, as the result may depend on the internal image processing algorithms. Recall that test shooting is carried out at night, under artificial lighting with a 40 W incandescent lamp. Noise canceling functions are completely turned off or - if it is impossible to turn off completely - they are activated with minimum power.

Fujifilm X-T1 @ ISO 100

Fujifilm X-T1 @ ISO 200

Fujifilm X-T1 @ ISO 400

Fujifilm X-T1 @ ISO 800

Fujifilm X-T1 @ ISO 1600

Fujifilm X-T1 @ ISO 3200

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28.03.2014

Fujifilm X-T1 Review - Mirrorless Digital Camera Test, Specifications, Features and Modes, Design and Controls, Reviews and Impressions, Fujifilm X T1 Compact System Camera Test Shots, Comparison, Difference Between X-T1 and X-E2, Difference Between models.

Fujifilm X-T1 is a compact system camera with interchangeable lenses (X-mount). It uses a 16-megapixel APS-C matrix, made using Fujifilm X-Trans CMOS II technology - without a low-pass filter, with a proprietary arrangement of color filter elements and built-in phase detection autofocus sensors.

Peculiarities:

• All-weather housing design
• ISO sensitivity range 200-6400, expandable to ISO 100-51200 (JPEG only)
• High resolution electronic viewfinder 2.36 M dots, 0.77x equivalent magnification.
• Dual View mode - with manual focusing, in addition to the image in the main field, a separate small field appears, where the focus peaking (outline enhancement) and digital image separation functions work both on the camera display and in the viewfinder.
• An abundance of mechanical controls - shutter speed dials, exposure compensation, ISO, shutter and focus mode switches, aperture ring on lenses.
• Six programmable buttons.
• 3-inch 1.04 M-dot swivel monitor with 3:2 aspect ratio.
• Autofocus system with 49 areas.
• Continuous shooting 8 fps with continuous autofocus.
• Video recording in formats up to Full HD / 30p, stream 36 Mb / s, built-in stereo microphone, external connector.
• Built-in Wi-Fi for file transfer and camera remote control.
• Connector for external flash (small included).
• Optional battery grip.

Brief characteristics:

When we reviewed the Fujifilm X-E2, we placed it lower in the lineup than the X-Pro1, not least in deference to Fujifilm's own positioning of the models. The fact is that, in our opinion, this moment was not so unambiguous. Yes, indeed, it was the X-Pro1 that set the bar high for top-end Fujifilm X cameras, it has a unique hybrid viewfinder technology (and it is the only one that uses interchangeable zoom lenses; other X100 and X100S models equipped with a hybrid viewfinder have a non-interchangeable fixed lens) . However, on the other hand, X-E2 is equipped with a new matrix with built-in hybrid autofocus sensors, has higher performance, and surpasses X-Pro1 in some other parameters.

Be that as it may, the new X-T1 is certainly the top of the line Fujifilm X. At first glance, if you look at the most basic formal characteristics, it may seem that the X-T1 is in many ways similar to the X-E2. Take a look at history model range Fujifilm X.

It can be seen that the Fujifilm developers produced cameras of their own different type covered different segments. Almost every model has some kind of new feature, and not just some, but at least radical, and often completely unique. At first glance, you might think about the X-T1 model - "hmm, yes, it repeats the X-E2; well, the viewfinder is larger, you might think; well, some other tuning; but in general, the characteristics are the same ... an easy upgrade?"

However, no, this is absolutely not the case! The new X-T1 differs from the X-E2 so significantly that it falls into a completely different market segment.

First of all, the X-T1 uses a new electronic OLED viewfinder. It has the same high resolution as the X-E2 - 2.36 million dots, but the increase is 0.77x versus 0.64x. As a result, the EVI turns out to be simply huge. Fujifilm provides the following illustration comparing the sizes of several viewfinders:

Radically improved continuous autofocus; The X-T1's rate of fire is 8fps with autofocus on (the XE-2 has only 3fps in this mode).

The X-T1 case has an all-weather design, dust and moisture protection.

This is from the main; and there are many other minor improvements, such as a memory card slot placed on the side of the camera (so you can change it without removing the camera from the tripod), or the ability to install an optional battery grip.

It's no surprise that the developers position the X-T1 as a camera for professional applications, in contrast to the amateur X-E2. And professional not in some narrow area, but suitable for reporting, and for commercial filming, and for wildlife - that is, completely versatile and universal.

Perhaps, in a nutshell, we said the main thing about the X-T1. On the next page, we present slides from Fujifilm's presentation, which describe the features of the camera in more detail and with illustrations, but then let's move on to our own impressions of communicating with the camera.

Formally, the Fujifilm X-T1 is ranked below the flagship X-Pro1, which boasts an original hybrid viewfinder. However, the flagship processor is much weaker, burst shooting is slower, and when recording Full HD video, only 24p mode is supported, and besides, it does not have the now popular built-in Wi-Fi module. In general, it's time for the flagship to retire - it has been presented for a long time and has already become outdated.

The Fujifilm X-T1 has a new, much more powerful processor, a new matrix, a continuous shooting speed of 8 frames / s versus 6 for the flagship, 1080 / 60p video recording is supported, and there is a Wi-Fi module with wide functionality. The body of the camera is protected from moisture and dust ingress. The viewfinder, of course, is not as innovative as in the X-Pro1, but also quite good - an OLED matrix with a resolution of 2,360 thousand dots, that is, no worse than that of Sony's competitors.

⇡ Specifications declared by the manufacturer

⇡ Scope of delivery and additional options

Unfortunately, a trial sample for the press was provided for testing, the kit of which included only a battery, a charger, a standard lens and plugs for a hot shoe and a battery pack connector. According to the manufacturer's website, a complete boxed sample includes the following: NP-W126 lithium-ion battery, BC-W126 charger, EF-X8 external flash, shoulder strap, software disc (Viewer, Raw File Converter), and covers for bayonet, hot shoe, battery grip connector and sync contact.

As options, two vertical handles are available, one of them with the possibility of installing an additional autonomous power supply, a retro-style leather case, as well as an external microphone, an adapter for threaded lenses, three flashes - with a guide number of 20 for younger solutions and 42 for senior. In general, there are traditionally few options. But the lenses in the company's model range are no longer so few, and everything is as good as a selection.

⇡ Appearance and usability

Externally, the Fujifilm X-T1 looks more like a classic DSLR than a rangefinder, with which most mirrorless cameras have an external resemblance. Closest in design to it are the Olympus OM-D family cameras. More specifically, the appearance of the Olympus OM-D E-M1 also uses retro motives and it also looks like a DSLR, and in addition to this, it is also protected from moisture, like the tested camera. In general, he is one of the main competitors of the X-T1.

The body of the Fujifilm X-T1 is cast from magnesium alloy for high strength. In addition, the camera is protected from moisture and dust ingress into the housing. According to the manufacturer, 80 sealing elements were used for this.

The handle on the front, which makes it easier to operate the camera, is much smaller than that of the main competitor, however, holding the camera with the complete zoom lens is quite easy. And it is quite convenient to work with all the controls, of which there are many. The only exceptions are the two-story dial for selecting the sensitivity level and drive mode, as well as the focus mode selection lever, for which you have to use your second hand. However, this should not be taken as a drawback, because thanks to the presence of a sensitivity control dial, the efficiency of work is higher than in the case of using a hot key and control dials, and you don’t have to follow the value on the screen.

There are quite a few different functional elements on the front side, but this does not make it seem overloaded. In addition to the mount, there is an autofocus assist lamp, a front command dial, a programmable function key, a focus mode selector, and a synchronization port, which is extremely rare in mirrorless cameras.

There are also quite a lot of controls from the rear. Most of the surface is occupied by a tilted display, above which is the viewfinder, as well as the delete and view mode keys. To the right are the rear control dial, separate AE and AF lock buttons, the Focus Assist key, buttons for calling the quick menu and changing the display display mode (it is also return one level back in the menu), as well as four programmable navigation keys, which are combined into a schematic ring and supplemented with a button to enter the menu / enter in the center.

The upper part of the Fujifilm X-T1 body is replete with a variety of functional elements, which is why an unprepared user's eyes run wide at first. However, even the same unprepared user does not need to get used to it for a long time, because all the controls are very convenient to use. In the center, on a small pedestal, reminiscent of DSLRs, is a “hot shoe”. To the left is a diopter correction dial, as well as a two-story dial for selecting the drive mode and sensitivity, and to turn the latter, you must press the lock key in the center.

To the right are the key for switching between the viewfinder and the display, the shutter speed dial, supplemented by the metering mode selection lever, the exposure compensation dial, the shutter button with the power lever, as well as the function programmable key (by default, responsible for switching to wireless control mode) and the video record button. It is worth noting here that the release key has lost the ability to install a mechanical release cable. Of course, there is no urgent need for it, especially in light of the support for wireless control using a smartphone, but because of this, the Fujifilm X-T1 loses some of the charm of old film cameras. But the possibility of using a cable release in cameras of the Fujifilm lineup is found not only in expensive cameras made in retro style, but also in quite ordinary ultrazooms. All in all, it was possible to leave this "chip" at least as a tribute to tradition.

Below, in addition to the usual battery compartment and tripod connector, there is a port for connecting a battery grip, hidden by a rubber plug.

On the left side surface, under the rubber door, there are connectors for connecting USB and HDMI cables, as well as a combined connector for connecting a microphone or a wired remote control. On the right, under the plastic door, there is a slot for installing a memory card, which in the case of mirrorless cameras is usually found only in the most expensive devices.